Oliver Bacon, the jeweller, is really the only developed character in the all of a sudden story The Duchess and the Jeweller by Virginia Woolf. The author uses the indirect stream-of awareness technique as well as her own voice communication to depicts the enterprising merchant as a slicey-sided hu small-arm being: He is both ambitious and sympathetic.
The jeweller is highly domineering and ambitious. His strutting smugness is evident through the animal metaphors used to portray him-from his carnal bearing (his nose was long and flexible, like an elephantstrunk), to his ambition compared to a giant hog snuffing for truffles or a camel sees the blue lake.He reveals his hearts deepest passion for cold stones sooner than other mankind beings, specially since he does not have any real friends in the story. When Bacon opens his safe to relish his treasures, the jewels-shining, cool, yet burning eternally, with their own compact light-his excitement is clear as he gives human attributes to the germs.
Tears! said Oliver, looking at the pearls.
Hearts blood! he said, looking at the rubies.
But then, he exclaims Gunpowder! at the fulgurous light from the diamonds, Gunpowder enough to blow Mayfair-sky high, high, high!
At this point, Bacon becomes not just the mercantile manipulator, but a man of the British ruling structure, an edifice so massive that lots of the population remained flattened by its pressures.
However, our sympathies are with the man who recalls his modern self, you who began life in a filthy, little alley and who sedate incarnates the spirit of the wily astute little boy; the man who still works in the dark little crop in the street off Bond Street rather than in the world of the Duchess who, for all her dissipation, still covers the jeweller with frothy bright colours; the man who worships the memory...
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