Fridas troubletings often show herself, alone or with Diego, and reflect her incommode and her ecstasy. Fridas paintings are bright, enticing, sometimes morbidly distressing. It is comfortably between ethnic music and fine art. Her paintings are imperious and colorful. Fridas painting is on a smaller scale than Riveras famous wall paintings, and her art is overshadowed by his. His leads to an disreputable incident, when he is hired by Rockefeller to create a mural for Rocketfeller Center, and boldly includes Lenin among the figures he paints. Rockerfeller commands the mural to be hammered great deal from the wall. Therefore, Riveras painting was more towards politics and communism government.
I dont think Frida expresses self-deprecating or apologetic feelings about her painting. Frida seems to have painted in order to seek the zone and escape pain from the accident. When she was at work she didnt so much put the pain onto the poll as channel it away from conscious thought and into the making love of her work. She needs to paint, not simply to express herself but to lead at all, and this is her closest bond with Rivera.
Frida is almost mortally hurt in a trolley crash that shatters her back and pierces her trunk with a steel rod.
She was never to be free of pain again and for long periods she had to wear a body cast. In the movie, the director shows a bluebird flying from Fridas hand at the moment of the crash, and later gold leaf falls on the cast: She uses the materials of magic realism to suggest how Frida was able to have the best pain with art and imagination. The second pain when she falling in love with the womanizing Rivera and his bohemian cadre of artists and revolutionaries deepens Fridas commitment to per painting and life...
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